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Expanding nationalisms at world's fairs: identity, diversity, and exchange, 1851-1915
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Expanding nationalisms at world's fairs: identity, diversity, and exchange, 1851-1915

David Raizman and Ethan Robey
2018

Abstract

Anca I. Lasc Antwerp Argentina art and politics art history art markets Bart Pushaw Belgium Cairo Chile China Christian A. Hedrick Copenhagen Daniela N. Prina Debra Hanson Denmark Ethan Robey Europe exhibition history Exhibitions Finland Hannah L. Sigur HISTORY History of Art history of design Hungary Imperial & Colonial History imperialism industrialization international exhibitions Islam Italy Jørn Guldberg London Museum Studies Nationalism Nationalism and architecture Nationalism and art Nationalismus Political aspects Social aspects Study & Teaching
Introduces the subject of international exhibitions to art and design historians and a wider audience as a resource for understanding the broad and varied political meanings of design during a period of rapid industrialization, developing nationalism, imperialism, expanding trade and the emergence of a consumer society. Its chapters, written by both established and emerging scholars, are global in scope, and demonstrate specific networks of communication and exchange among designers, manufacturers, markets and nations on the modern world stage from the second half of the nineteenth century into the beginning of the twentieth. Within the overarching theme of nationalism and internationalism as revealed at world's fairs, the book's essays engage a more complex understanding of ideas of competition and community in an age of emergent industrial capitalism, and investigate the nuances, contradictions and marginalized voices that lie beneath the surface of unity, progress, and global expansion.

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